Muddy waters electric mud album plus#

The song has ancient roots: the Southern black mysticism known as РІР‚СљhoodooРІР‚Сњ features when a gypsy delivers a prophecy about the contents of his pregnant motherРІР‚в„ўs bump. Muddy hit a further hot streak in 1954, cutting another classic in РІР‚СљIРІР‚в„ўm Your Hoochie Coochie Man,РІР‚СњР’В written by Willie Dixon, who was fast establishing himself as ChessРІР‚в„ў chief songwriter. Muddy was profoundly a city dweller now, singing of Cadillacs and phones, but the country in him showed through in the line РІР‚СљAnother mule kickinРІР‚в„ў in your stall.РІР‚Сњ At the end of 1950, he began a run of five straight Top 10 R&B chart hits, the biggest of which was РІР‚СљLong Distance Call,РІР‚СњР’В which found him in the company of harmonica star Little Walter (Muddy would play guitar on WalterРІР‚в„ўs best-known instrumental, РІР‚СљJukeРІР‚Сњ). Muddy didnРІР‚в„ўt hang around gathering moss: he had hit his stride now and certainly wasnРІР‚в„ўt green. The tune is also known as РІР‚СљCatfish BluesРІР‚Сњ and was one of the first songs Muddy learned to play. He hollered the song with glee, though regret lurks in the lyrics: РІР‚СљI coulda had religion/This bad old thing instead.РІР‚Сњ ItРІР‚в„ўs almost ridiculous that his next single, his first on the fledgling Chess label (and the second on the label overall), was another record which had a lengthy afterlife: РІР‚СљRollinРІР‚в„ў StoneРІР‚Сњ earns it place among the best Muddy Waters songs, thanks in part to having inspired a little-known band of a similar name. The song dates from the 1920s, and everyone from Robert Johnson to Cream have covered it while Elmore JamesРІР‚в„ў version ran MuddyРІР‚в„ўs version close, Waters put the definitive stamp on this rollicking tale of booze and broads. HeРІР‚в„ўd recorded РІР‚СљRollinРІР‚в„ў And TumblinРІР‚в„ўРІР‚Сњ with Baby Face Leroy for the Parkway label in January, angering Aristocrat, who insisted he recut it for them weeks later. The song gave a title to the brilliant critic Peter GuralnickРІР‚в„ўs first book about music, Feel Like Going Home, published in 1971.Р”В«y the start of 1950, MuddyРІР‚в„ўs game was even tighter. On the flip is another landmark: РІР‚СљI Feel Like Going Home.РІР‚Сњ ItРІР‚в„ўs easy to regard this as simply a personal lament, but Muddy was representing a generation of black southerners who took the train to Chicago or Detroit in search of a better life in the city but still yearned for Southern ways. The thing that comes across most is his sheer confidence: this is a man who knows what heРІР‚в„ўs doing. ItРІР‚в„ўs a raw, unfinished Muddy, but heРІР‚в„ўs got personality aplenty, sells the song, and the voice is all his own.

Muddy waters electric mud album plus#

РІР‚СљI CanРІР‚в„ўt Be SatisfiedРІР‚Сњ was a great record it churns along with plenty of the РІР‚Сљrythm accompanimentРІР‚Сњ ( sic) the label promised, though it was only Mud and his slide guitar, plus the slapping bass of Ernest РІР‚СљBigРІР‚Сњ Crawford. Muddy made No.11 in this listing, a decent showing for an unknown guy releasing his first single for a newish label. In post-war America, bluesmen didnРІР‚в„ўt have pop РІР‚Сљhits.РІР‚Сњ They had their own chart (for which, read: РІР‚СљghettoРІР‚Сњ) in which РІР‚Сљrace recordsРІР‚Сњ could compete. Though still one of the best Muddy Waters songs, РІР‚СљhitРІР‚Сњ may not be quite the right word.

Three years later, the record companies were sniffing around and Muddy signed with Aristocrat two years after that, in 1948, he hit with РІР‚СљI CanРІР‚в„ўt Be Satisfied.РІР‚Сњ In 1943 he moved north to Chicago and played in clubs, but the city crowd was so noisy that Muddy had to get an electric guitar. Muddy was shocked when he realized how good he sounded: heРІР‚в„ўd never heard himself sing before. He sang 18 songs into LomaxРІР‚в„ўs tape recorder in 19 Lomax called them field recordings, but they were done right there in MuddyРІР‚в„ўs shack. Though he wasnРІР‚в„ўt missing, Muddy was РІР‚СљfoundРІР‚Сњ in Stovall, Mississippi, by blues and folk historian Alan Lomax. The kid got good, learning the tricks that heРІР‚в„ўd deploy time and time again in the best Muddy Waters songs.

He was fascinated by music and began playing guitar and harmonica in his teens, modeling himself on Robert Johnson and Son House when he sang at parties.

His mother died young and he was raised by his grandmother, who was amused by her grandsonРІР‚в„ўs inclination to muck around in muddy water she called the toddler Muddy. McKinley Morganfield was born on April 4, 1913, 1914, or 1915 in Mississippi (poor black folk in the US south often didnРІР‚в„ўt adhere to the rules of registering births because society didnРІР‚в„ўt care if they lived or died).